![]() ![]() For example, if we boosted one band by 6 dB, we had to cut a total of 6 dB in other bands–could be one, some, or all of the others–depending on which bands were important to the source material. “Always” was at least implied in reference to the cuts alleged to be needed I don’t remember if “always” was actually said. The placement of cuts was said to depend on the material and the type of EQ, although this was predominantly meant for graphic EQs. I was told many years ago that when adding a boost in one area, a cut of total equal value somewhere else in the frequency spectrum (NOT the output gain) is needed to offset it. It helped me to undo something I was taught that caused some confusion for me insofar as how EQ works. ![]() Thanks for the great video! I actually first learned about level matching from pedals, and had it confirmed elsewhere as well as here. ![]()
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